【展览主题】：三星堆文明青铜艺术特展
【中文主标题】：古蜀之眼
【英文标题】：THE EYES OF ANCIENT SHU
【副标题】：青铜面具中的千年神秘信仰
【艺术载体】：青铜器
【主视觉内容】：三星堆青铜纵目面具、青铜神树、黄金面具残片
【主题短句】：一双眼睛，望见三千年前的文明
【时间】：2026.09.01—2027.01.15
【地点】：东方文明艺术馆
【主色调】：青铜绿、泥金、黑曜石黑、赭石
视觉重点：
青铜面具巨大局部出现，占据右侧。
眼睛区域成为视觉中心。
铜锈纹理里隐藏古蜀祭祀场景。
英文标题像考古档案编号一样压在背景。
[Exhibition Theme]: Sanxingdui Civilization Bronze Art Special Exhibition
[Chinese Main Title]: 古蜀之眼 (The Eyes of Ancient Shu)
[English Title]: THE EYES OF ANCIENT SHU
[Subtitle]: Millennial Mysterious Beliefs in Bronze Masks
[Art Medium]: Bronze ware
[Main Visual Elements]: Sanxingdui bronze protruding eye mask, bronze sacred tree, gold mask fragments
[Tagline]: A pair of eyes beholding a civilization from three thousand years ago
[Date]: 2026.09.01—2027.01.15
[Venue]: Oriental Civilization Art Museum
[Main Color Palette]: Bronze green, painted gold, obsidian black, ochre
Visual Focal Points:
A massive close-up of the bronze mask occupies the right side.
The eye area serves as the visual focus.
Ancient Shu sacrificial rituals hidden within the bronze patina textures.
The English title imprinted in the background like an archaeological archive reference number.
An extraordinarily beautiful young East Asian woman, ethereal Chinese imperial opera goddess, delicate porcelain face, refined facial anatomy, melancholic almond-shaped eyes, subtle smoky eyeliner, soft muted rose lips, cold and distant expression, elaborate monumental Chinese phoenix crown adorned with intricate blue enamel filigree, antique silver ornaments, countless luminous white pearls, sculpted ivory flowers, flowing metallic botanical structures, luxurious traditional Chinese ceremonial robes in ivory white silk, exquisite hand-embroidered peonies in dusty teal blue, muted coral pink and antique gold, cascading pearl necklaces, delicate coral tassels, graceful slender feminine hand resting naturally against embroidered silk, five anatomically accurate fingers, elegant finger proportions, realistic joints, natural perspective, flowing oversized white silk sleeves, long black hair blowing dramatically in the wind, ancient Chinese palace architecture softly blurred in the background, dramatic close-up fashion portrait, slightly low camera angle, sophisticated asymmetrical composition, shallow depth of field, foreground silk softly out of focus, Chinese mysticism meets European Rococo ornamentation, Old Master painting color harmony, cinematic chiaroscuro, cool blue-gray atmosphere, delicate warm highlights, realistic porcelain skin texture, intricate textile details, restrained HDR, photorealistic fine art fashion photography, 85mm portrait lens, f/1.8, extraordinary craftsmanship, museum-quality visual aesthetics, elegant and haunting beauty --ar 9:16 --v 8.2 --stylize 250 --chaos 8
【Title】[TITLE]
【Subtitle】[SUBTITLE]
【Landscape】[canyon / river / cloud mountains / glacier / desert / coast]
【Main Palette】[PRIMARY COLORS]
【Scale Anchor】[tiny traveler / canoe / boat / small building]
【Visual Destination】[moon / distant light / horizon / mountain pass]
【Aspect Ratio】9:16
Create a refined vertical art poster that transforms a natural landscape into a flowing topographic world.
Build the terrain from hundreds of long, smooth, continuous contour lines that follow the shape, depth, and movement of the land. The lines should feel like a fusion of topographic maps, silk threads, and abstract Chinese landscape painting — directional, elegant, and highly organized rather than random decorative waves.
Use one strong visual path, such as a river, valley, ridge, cloud road, or negative-space corridor, to guide the eye from foreground to distance.
Keep the natural environment monumental and place only one or two extremely small human figures, boats, or architectural elements as scale anchors.
Use clear spatial hierarchy:
dense flowing lines in the main terrain,
calmer negative space around the visual path,
simpler and softer details in the distance.
Control the palette with 2–4 dominant colors rather than evenly distributed rainbow tones. Use large, clean color fields and let color changes reinforce depth and movement.
Add minimal editorial typography:
[TITLE]
[SUBTITLE]
[SHORT POETIC LINE]
Typography should feel like a contemporary exhibition poster or art-book cover — elegant, widely spaced, restrained, and secondary to the landscape.
The final image should feel poetic, monumental, calm, and highly designed, combining Eastern landscape aesthetics, contour-line abstraction, negative space, and modern editorial composition.
SOURCE & OUTPUT
Use each uploaded photo as the sole visual reference. Create one independent, high-end editorial poster per photo and output each separately. Never combine images or create a collage.
FORMAT & LAYOUT
Use a strict vertical 3:4 composition divided into two exactly equal horizontal halves (50/50).
UPPER HALF — ORIGINAL PHOTOGRAPH
Preserve the original photograph faithfully, including the subject’s identity, facial features, structure, pose, proportions, natural texture, lighting, and color atmosphere. Apply only subtle premium editorial color grading for an art-magazine or exhibition-photography aesthetic. If necessary, extend only the surrounding background naturally to fit the frame. Never distort, replace, or redesign the subject.
LOWER HALF — PASTEL CRAYON MEMORY
Reinterpret the photograph as a minimalist, retro paper-texture pastel crayon doodle. Identify the scene’s most memorable subject, pose, relationships, direction, emotional tone, and visual essence. Reconstruct only these defining elements rather than copying every object or illustrating the entire scene.
Use thick, loose, grainy, hand-drawn chalk-and-crayon outlines with dry pigment texture, subtle breaks, faded patches, imperfect edges, slight hand wobble, and naturally rounded stroke endings. Add only a few simple pastel color blocks, stripes, dots, or scribbles to suggest essential details. Avoid realistic volume, detailed rendering, and excessive shading.
COMPOSITION & NEGATIVE SPACE
Keep the illustration small and visually balanced within the lower half, surrounded by generous empty space. Position the subject naturally according to the original photograph, allowing asymmetry, off-center placement, suspended elements, or partial cropping where appropriate.
Include only a few tiny environmental clues or abstract doodles, drawn in the same rough, simplified crayon style. Keep them minimal, imperfect, and contour-based. Prioritize breathing room, scale contrast, visual rhythm, and intentional emptiness. Never overcrowd the composition.
BACKGROUND & COLOR PALETTE
Use a bright, near-white paper background: ivory, cream white, pale off-white, soft apricot white, or very light gray-white. Add only subtle paper fibers and fine grain. Keep the background clean, bright, and clearly lighter than the illustration. Avoid dirty gray, dark yellow, or aged brown paper.
Extract 2–4 defining colors from the original photograph and reinterpret them as fresh, soft pastel crayon tones, such as peach pink, apricot orange, cream yellow, mint green, sky blue, or pale lavender. Use sufficiently distinct coral, blue, blue-green, warm orange, or violet outlines for clear contrast. Maintain a gentle, playful, emotionally warm, and refined palette.
OPTIONAL TEXT
Add only a tiny handwritten note if it genuinely enhances the composition. Keep it sparse, legible, secondary, and unobtrusive. Never use decorative text as filler.
FINAL AESTHETIC
Create a sophisticated editorial poster combining authentic photography above with a reduced, recognizable, hand-drawn memory of the same scene below. The illustration should feel airy, naive without being childish, playful without looking cheap, and minimal without losing the photograph’s identity or emotional meaning. Emphasize expressive linework, selective color, paper texture, asymmetry, and negative space.
2x2 grid, 16:9, create four completely different Chinese public-domain cultural subjects:
select * from oriental_poster_archives
where cultural_subject = '[$subject]'
and aesthetic = 'minimalist Chinese woodblock poster design'
and print_technique = 'two-color screen print and traditional woodblock print on aged xuan paper'
and optical_illusion = 'gestalt figure-ground reversal'
and visual_language = 'Chinese classical book illustration, refined editorial design, museum-quality composition'
and ink_layers = array[
(layer_1_base: 'warm aged xuan paper negative space', color: 'ai_infer_light_paper_color([$subject])'),
(layer_2_foreground: 'flat Chinese landscape, architecture, plants, animals and narrative scenes', color: 'ai_infer_dark_ink_color([$subject])')
]
and masking_logic = (
select iconic_profile_silhouette
from Chinese_cultural_character_archive
where subject = '[$subject]'
format as 'the edge of the landscape and architecture forms a clear human or mythical-creature profile silhouette'
)
and internal_scene_logic = 'the silhouette contains the most iconic locations, objects, animals and story events associated with the subject'
and typography = 'small vertical Chinese seal-script title panel on the outer edge, elegant English serif title at lower right'
and composition = 'large silhouette occupying 45 to 60 percent of each panel, generous empty paper space, balanced asymmetry'
and forbidden_elements = 'no gradients, no 3D, no photorealism, no floating face, no collage, no modern objects, no neon colors, no random text, no malformed Chinese characters';
[$subject] = Journey to the West, Dream of the Red Chamber, Romance of the Three Kingdoms, Water Margin
