Póster de la muestra de Sanxingdui

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Chinese Opera Goddess in Phoenix Crown

@liluocheng13♥ 379

An extraordinarily beautiful young East Asian woman, ethereal Chinese imperial opera goddess, delicate porcelain face, refined facial anatomy, melancholic almond-shaped eyes, subtle smoky eyeliner, soft muted rose lips, cold and distant expression, elaborate monumental Chinese phoenix crown adorned with intricate blue enamel filigree, antique silver ornaments, countless luminous white pearls, sculpted ivory flowers, flowing metallic botanical structures, luxurious traditional Chinese ceremonial robes in ivory white silk, exquisite hand-embroidered peonies in dusty teal blue, muted coral pink and antique gold, cascading pearl necklaces, delicate coral tassels, graceful slender feminine hand resting naturally against embroidered silk, five anatomically accurate fingers, elegant finger proportions, realistic joints, natural perspective, flowing oversized white silk sleeves, long black hair blowing dramatically in the wind, ancient Chinese palace architecture softly blurred in the background, dramatic close-up fashion portrait, slightly low camera angle, sophisticated asymmetrical composition, shallow depth of field, foreground silk softly out of focus, Chinese mysticism meets European Rococo ornamentation, Old Master painting color harmony, cinematic chiaroscuro, cool blue-gray atmosphere, delicate warm highlights, realistic porcelain skin texture, intricate textile details, restrained HDR, photorealistic fine art fashion photography, 85mm portrait lens, f/1.8, extraordinary craftsmanship, museum-quality visual aesthetics, elegant and haunting beauty --ar 9:16 --v 8.2 --stylize 250 --chaos 8

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Contour Line Flowing Chinese Landscape Art Poster

@MrLarus♥ 346

【Title】[TITLE]  
【Subtitle】[SUBTITLE]  
【Landscape】[canyon / river / cloud mountains / glacier / desert / coast]  
【Main Palette】[PRIMARY COLORS]  
【Scale Anchor】[tiny traveler / canoe / boat / small building]  
【Visual Destination】[moon / distant light / horizon / mountain pass]  
【Aspect Ratio】9:16

Create a refined vertical art poster that transforms a natural landscape into a flowing topographic world.

Build the terrain from hundreds of long, smooth, continuous contour lines that follow the shape, depth, and movement of the land. The lines should feel like a fusion of topographic maps, silk threads, and abstract Chinese landscape painting — directional, elegant, and highly organized rather than random decorative waves.

Use one strong visual path, such as a river, valley, ridge, cloud road, or negative-space corridor, to guide the eye from foreground to distance.

Keep the natural environment monumental and place only one or two extremely small human figures, boats, or architectural elements as scale anchors.

Use clear spatial hierarchy:
dense flowing lines in the main terrain,
calmer negative space around the visual path,
simpler and softer details in the distance.

Control the palette with 2–4 dominant colors rather than evenly distributed rainbow tones. Use large, clean color fields and let color changes reinforce depth and movement.

Add minimal editorial typography:
[TITLE]
[SUBTITLE]
[SHORT POETIC LINE]

Typography should feel like a contemporary exhibition poster or art-book cover — elegant, widely spaced, restrained, and secondary to the landscape.

The final image should feel poetic, monumental, calm, and highly designed, combining Eastern landscape aesthetics, contour-line abstraction, negative space, and modern editorial composition.

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Neo-Chinese Fine Line Classical Poetry Poster

@MrLarus♥ 257

【古诗词】{填写诗词标题、作者和原文}
【核心意象】{填写或由 AI 提取}
【主色调】{填写主色与辅助色}
【情绪氛围】{填写或由 AI 提取}
【画幅比例】9:16

根据古诗词创作一张新中式细线设色装饰插画海报，将诗中的景物、空间与情感转化为完整的东方诗意场景。

采用高位俯瞰、东方散点透视与现代平面构成。树冠呈柔软蓬松的云团状色块，具有细腻粉末点染质感，内部穿插纤细连续的墨黑枝条。传统建筑使用精细工笔线描、规整青绿瓦片、白墙朱柱。地面与水面采用大面积暖米白留白，搭配少量不规则墨黑阴影。

配色采用饱满、干净、哑光的东方传统色系，以主色形成视觉重量，辅以石青、石绿、朱砂、赭红等颜色，保持细腻统一的纸本装饰插画质感。

画面突出核心意象，通过自然曲线、色块包围和疏密对比建立视觉层次。构图随诗词内容变化，不强行加入无关建筑或树木。

融入大幅暖白色中文标题、小型纵排诗句、作者署名与少量朱印，形成完整的古诗词艺术海报。

避免写实山水、厚重水墨、3D、油画、动漫风、复杂远景、过度颗粒及人工做旧。保持教科书级的精细线条、柔和设色与东方装饰美学。

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Japanese Editorial Typography Poster Design

@MrLarus♥ 228

【主题 / 项目名】：{填写，例如展览、音乐活动、出版物、品牌视觉}
【主标题 / 巨型文字】：{填写中文、英文或日文主标题}
【核心主体】：{填写，例如人物、黑胶、织物、书页、产品、器物}
【图文互动方式】：{遮挡 / 穿插 / 编织 / 折射 / 裁切 / 前后叠层}
【主色调】：{填写 1 个主色}
【辅助色】：{填写 1–2 个辅助色}
【活动 / 品牌信息】：{品牌名、日期、地点、副标题、关键词等}
【画幅比例】：{默认 9:16}

生成一张高级日式 Editorial Typography 海报。核心不是“图片上加文字”，而是让巨型 Typography 本身成为画面的主要结构，再让【核心主体】真正进入文字内部，与字形发生清楚、可信的遮挡、穿插和前后层级。主标题需要足够巨大，允许超出版心、局部裁切和错位排列，使文字首先成为几何大形，其次才被阅读为内容。

使用严格但不可见的编辑网格组织版面，整体不对称但必须保持明确秩序。主体可以跨越文字、从笔画后方穿出、压在部分字形前方，或通过真实物理关系与 Typography 结合。避免简单的“主体放中间、标题放旁边”，画面需要有明显的图文互动和空间感。

色彩控制在有限的 3–5 个核心颜色内，以【主色调】为基础，搭配【辅助色】，强调完整、饱满、干净的印刷色面。使用高质量哑光艺术纸、轻微纸纤维和克制胶版印刷质感，不要明显复古做旧、刮痕、黄斑、重颗粒或廉价滤镜。

建立真实完整的信息系统：主标题负责一级视觉，品牌名 / 项目名 / 副标题负责二级信息，日期、地点、类别、创作者、关键词和简短说明负责三级信息。小字不要全部集中在底部，也不要排成 UI 卡片，可以沿版面边缘、字形结构或主体周围自然分布，形成文化刊物、展览海报和独立出版物的编辑感。

整体信息密度中高，但保持明确层级。远看首先看到巨型文字、核心主体和主色块；中距离看到图文之间的遮挡和穿插；近看才阅读完整的小型信息与印刷细节。最终效果应该像当代日本或东亚设计事务所制作的真实文化海报，而不是 AI 海报模板。

避免：普通居中排版、主体和文字毫无关系、无意义英文、Lorem Ipsum、所有小字堆在一起、过度极简导致画面空、过度拼贴导致混乱、UI 卡片、圆角模块、廉价 3D、霓虹渐变、过度做旧、四角星芒、sparkle、No.01、Vol.01 或其他编号式系列标记。

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Eastern Object Aesthetics Exhibition Poster

@MrLarus♥ 334

【主题】：____
【中文标题】：____
【英文标题】：____
【主体器物 / 核心对象】：____
【聚核方式】：同心环抱 / 上下夹逼 / 双侧压缩 / 阵列围核
【主色调】：____
【辅助色】：____
【日期 / 机构】：____
【比例】：9:16

生成一张具有高级 Museum Editorial / Exhibition Poster 气质的「视觉聚核」海报。

先确定一个绝对视觉核心，再围绕它组织器物、文字、色块和留白。重点不是简单把主体放在画面中央，而是让其他视觉力量都把视线推向同一个核心。

根据主题选择一种聚核结构：

 同心环抱：利用圆形主体、文字、弧线或信息围绕核心形成向心关系。
 上下夹逼：用上下大色面、标题或留白向中部施压，把焦点锁定在主体。
 双侧压缩：左右 Typography、色块或信息区共同向中间收束，主体自身还可以利用框形轮廓形成二次聚焦。
 阵列围核：设置一个明显最大的主器，周围多个较小元素形成非对称围合；必须保持清楚的大小、疏密和主次关系。

主体承担主要视觉重量，其他元素只能“围绕、指向、托住或平衡”核心，不建立第二视觉中心。

Typography 参与构图：大中文标题负责视觉重量，小型英文、日期和机构信息集中在 1–2 个区域。避免把信息平均撒满版面。

色彩控制在 2–4 个主要颜色，通过大色块、器物材质和留白建立层级；保留足够负空间，不要为了丰富而堆叠装饰。

器物或主体使用真实、精致的博物馆藏品摄影 / 高质量对象摄影质感，材质、纹理、光影和阴影自然可信。

最终阅读顺序：
第一眼看到视觉核心 → 第二眼感受到周围元素向核心汇聚 → 第三眼阅读标题与辅助信息。

整体要求：聚焦明确、主次清晰、编辑感强、克制但有张力，具有成熟艺术机构、博物馆展览或高端文化海报的视觉品质。

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Editorial Poster with Photo and Pastel Crayon Doodle Split

@Sairah_0♥ 123

SOURCE & OUTPUT
Use each uploaded photo as the sole visual reference. Create one independent, high-end editorial poster per photo and output each separately. Never combine images or create a collage.

FORMAT & LAYOUT
Use a strict vertical 3:4 composition divided into two exactly equal horizontal halves (50/50).

UPPER HALF — ORIGINAL PHOTOGRAPH
Preserve the original photograph faithfully, including the subject’s identity, facial features, structure, pose, proportions, natural texture, lighting, and color atmosphere. Apply only subtle premium editorial color grading for an art-magazine or exhibition-photography aesthetic. If necessary, extend only the surrounding background naturally to fit the frame. Never distort, replace, or redesign the subject.

LOWER HALF — PASTEL CRAYON MEMORY
Reinterpret the photograph as a minimalist, retro paper-texture pastel crayon doodle. Identify the scene’s most memorable subject, pose, relationships, direction, emotional tone, and visual essence. Reconstruct only these defining elements rather than copying every object or illustrating the entire scene.

Use thick, loose, grainy, hand-drawn chalk-and-crayon outlines with dry pigment texture, subtle breaks, faded patches, imperfect edges, slight hand wobble, and naturally rounded stroke endings. Add only a few simple pastel color blocks, stripes, dots, or scribbles to suggest essential details. Avoid realistic volume, detailed rendering, and excessive shading.

COMPOSITION & NEGATIVE SPACE
Keep the illustration small and visually balanced within the lower half, surrounded by generous empty space. Position the subject naturally according to the original photograph, allowing asymmetry, off-center placement, suspended elements, or partial cropping where appropriate.

Include only a few tiny environmental clues or abstract doodles, drawn in the same rough, simplified crayon style. Keep them minimal, imperfect, and contour-based. Prioritize breathing room, scale contrast, visual rhythm, and intentional emptiness. Never overcrowd the composition.

BACKGROUND & COLOR PALETTE
Use a bright, near-white paper background: ivory, cream white, pale off-white, soft apricot white, or very light gray-white. Add only subtle paper fibers and fine grain. Keep the background clean, bright, and clearly lighter than the illustration. Avoid dirty gray, dark yellow, or aged brown paper.

Extract 2–4 defining colors from the original photograph and reinterpret them as fresh, soft pastel crayon tones, such as peach pink, apricot orange, cream yellow, mint green, sky blue, or pale lavender. Use sufficiently distinct coral, blue, blue-green, warm orange, or violet outlines for clear contrast. Maintain a gentle, playful, emotionally warm, and refined palette.

OPTIONAL TEXT
Add only a tiny handwritten note if it genuinely enhances the composition. Keep it sparse, legible, secondary, and unobtrusive. Never use decorative text as filler.

FINAL AESTHETIC
Create a sophisticated editorial poster combining authentic photography above with a reduced, recognizable, hand-drawn memory of the same scene below. The illustration should feel airy, naive without being childish, playful without looking cheap, and minimal without losing the photograph’s identity or emotional meaning. Emphasize expressive linework, selective color, paper texture, asymmetry, and negative space.

通用 / 未注明

Four Great Classical Novels Woodblock Silhouette Posters

@XiaoKooeye♥ 36

2x2 grid, 16:9, create four completely different Chinese public-domain cultural subjects:

select * from oriental_poster_archives
where cultural_subject = '[$subject]'
and aesthetic = 'minimalist Chinese woodblock poster design'
and print_technique = 'two-color screen print and traditional woodblock print on aged xuan paper'
and optical_illusion = 'gestalt figure-ground reversal'
and visual_language = 'Chinese classical book illustration, refined editorial design, museum-quality composition'
and ink_layers = array[
    (layer_1_base: 'warm aged xuan paper negative space', color: 'ai_infer_light_paper_color([$subject])'),
    (layer_2_foreground: 'flat Chinese landscape, architecture, plants, animals and narrative scenes', color: 'ai_infer_dark_ink_color([$subject])')
]
and masking_logic = (
    select iconic_profile_silhouette
    from Chinese_cultural_character_archive
    where subject = '[$subject]'
    format as 'the edge of the landscape and architecture forms a clear human or mythical-creature profile silhouette'
)
and internal_scene_logic = 'the silhouette contains the most iconic locations, objects, animals and story events associated with the subject'
and typography = 'small vertical Chinese seal-script title panel on the outer edge, elegant English serif title at lower right'
and composition = 'large silhouette occupying 45 to 60 percent of each panel, generous empty paper space, balanced asymmetry'
and forbidden_elements = 'no gradients, no 3D, no photorealism, no floating face, no collage, no modern objects, no neon colors, no random text, no malformed Chinese characters';

[$subject] = Journey to the West, Dream of the Red Chamber, Romance of the Three Kingdoms, Water Margin