2x2 grid, 16:9, create four completely different Chinese public-domain cultural subjects:
select * from oriental_poster_archives
where cultural_subject = '[$subject]'
and aesthetic = 'minimalist Chinese woodblock poster design'
and print_technique = 'two-color screen print and traditional woodblock print on aged xuan paper'
and optical_illusion = 'gestalt figure-ground reversal'
and visual_language = 'Chinese classical book illustration, refined editorial design, museum-quality composition'
and ink_layers = array[
(layer_1_base: 'warm aged xuan paper negative space', color: 'ai_infer_light_paper_color([$subject])'),
(layer_2_foreground: 'flat Chinese landscape, architecture, plants, animals and narrative scenes', color: 'ai_infer_dark_ink_color([$subject])')
]
and masking_logic = (
select iconic_profile_silhouette
from Chinese_cultural_character_archive
where subject = '[$subject]'
format as 'the edge of the landscape and architecture forms a clear human or mythical-creature profile silhouette'
)
and internal_scene_logic = 'the silhouette contains the most iconic locations, objects, animals and story events associated with the subject'
and typography = 'small vertical Chinese seal-script title panel on the outer edge, elegant English serif title at lower right'
and composition = 'large silhouette occupying 45 to 60 percent of each panel, generous empty paper space, balanced asymmetry'
and forbidden_elements = 'no gradients, no 3D, no photorealism, no floating face, no collage, no modern objects, no neon colors, no random text, no malformed Chinese characters';
[$subject] = Journey to the West, Dream of the Red Chamber, Romance of the Three Kingdoms, Water Margin
2x2 网格，16:9，生成四个完全不同的中国公有领域文化题材：
select * from oriental_poster_archives
where cultural_subject = '[$subject]'
and aesthetic = '极简中国木版画海报设计'
and print_technique = '复古老宣纸上的双色丝网印刷与传统木版画'
and optical_illusion = '格式塔图底反转错觉'
and visual_language = '中国古典古籍插画，精致编辑设计，博物馆级构图'
and ink_layers = array[
(layer_1_base: '暖色做旧宣纸留白负空间', color: 'ai_infer_light_paper_color([$subject])'),
(layer_2_foreground: '扁平中国山水、建筑、植物、动物与叙事场景', color: 'ai_infer_dark_ink_color([$subject])')
]
and masking_logic = (
select iconic_profile_silhouette
from Chinese_cultural_character_archive
where subject = '[$subject]'
format as '山水与建筑的边缘构成清晰的人物或神话生物侧脸剪影'
)
and internal_scene_logic = '剪影内部包含与主题相关的最标志性场景、物品、动物及故事事件'
and typography = '外边缘配有小巧的纵向中文篆书题签，右下角配有优雅的英文字体标题'
and composition = '大剪影占据每幅画面的 45% 至 60%，大量宣纸留白，平衡的不对称感'
and forbidden_elements = '无渐变、无3D、无写实、无悬浮人脸、无拼贴、无现代物体、无霓虹色、无随机文字、无畸形中文字符';
[$subject] = 西游记、红楼梦、三国演义、水浒传
【Title】[TITLE]
【Subtitle】[SUBTITLE]
【Landscape】[canyon / river / cloud mountains / glacier / desert / coast]
【Main Palette】[PRIMARY COLORS]
【Scale Anchor】[tiny traveler / canoe / boat / small building]
【Visual Destination】[moon / distant light / horizon / mountain pass]
【Aspect Ratio】9:16
Create a refined vertical art poster that transforms a natural landscape into a flowing topographic world.
Build the terrain from hundreds of long, smooth, continuous contour lines that follow the shape, depth, and movement of the land. The lines should feel like a fusion of topographic maps, silk threads, and abstract Chinese landscape painting — directional, elegant, and highly organized rather than random decorative waves.
Use one strong visual path, such as a river, valley, ridge, cloud road, or negative-space corridor, to guide the eye from foreground to distance.
Keep the natural environment monumental and place only one or two extremely small human figures, boats, or architectural elements as scale anchors.
Use clear spatial hierarchy:
dense flowing lines in the main terrain,
calmer negative space around the visual path,
simpler and softer details in the distance.
Control the palette with 2–4 dominant colors rather than evenly distributed rainbow tones. Use large, clean color fields and let color changes reinforce depth and movement.
Add minimal editorial typography:
[TITLE]
[SUBTITLE]
[SHORT POETIC LINE]
Typography should feel like a contemporary exhibition poster or art-book cover — elegant, widely spaced, restrained, and secondary to the landscape.
The final image should feel poetic, monumental, calm, and highly designed, combining Eastern landscape aesthetics, contour-line abstraction, negative space, and modern editorial composition.
SOURCE & OUTPUT
Use each uploaded photo as the sole visual reference. Create one independent, high-end editorial poster per photo and output each separately. Never combine images or create a collage.
FORMAT & LAYOUT
Use a strict vertical 3:4 composition divided into two exactly equal horizontal halves (50/50).
UPPER HALF — ORIGINAL PHOTOGRAPH
Preserve the original photograph faithfully, including the subject’s identity, facial features, structure, pose, proportions, natural texture, lighting, and color atmosphere. Apply only subtle premium editorial color grading for an art-magazine or exhibition-photography aesthetic. If necessary, extend only the surrounding background naturally to fit the frame. Never distort, replace, or redesign the subject.
LOWER HALF — PASTEL CRAYON MEMORY
Reinterpret the photograph as a minimalist, retro paper-texture pastel crayon doodle. Identify the scene’s most memorable subject, pose, relationships, direction, emotional tone, and visual essence. Reconstruct only these defining elements rather than copying every object or illustrating the entire scene.
Use thick, loose, grainy, hand-drawn chalk-and-crayon outlines with dry pigment texture, subtle breaks, faded patches, imperfect edges, slight hand wobble, and naturally rounded stroke endings. Add only a few simple pastel color blocks, stripes, dots, or scribbles to suggest essential details. Avoid realistic volume, detailed rendering, and excessive shading.
COMPOSITION & NEGATIVE SPACE
Keep the illustration small and visually balanced within the lower half, surrounded by generous empty space. Position the subject naturally according to the original photograph, allowing asymmetry, off-center placement, suspended elements, or partial cropping where appropriate.
Include only a few tiny environmental clues or abstract doodles, drawn in the same rough, simplified crayon style. Keep them minimal, imperfect, and contour-based. Prioritize breathing room, scale contrast, visual rhythm, and intentional emptiness. Never overcrowd the composition.
BACKGROUND & COLOR PALETTE
Use a bright, near-white paper background: ivory, cream white, pale off-white, soft apricot white, or very light gray-white. Add only subtle paper fibers and fine grain. Keep the background clean, bright, and clearly lighter than the illustration. Avoid dirty gray, dark yellow, or aged brown paper.
Extract 2–4 defining colors from the original photograph and reinterpret them as fresh, soft pastel crayon tones, such as peach pink, apricot orange, cream yellow, mint green, sky blue, or pale lavender. Use sufficiently distinct coral, blue, blue-green, warm orange, or violet outlines for clear contrast. Maintain a gentle, playful, emotionally warm, and refined palette.
OPTIONAL TEXT
Add only a tiny handwritten note if it genuinely enhances the composition. Keep it sparse, legible, secondary, and unobtrusive. Never use decorative text as filler.
FINAL AESTHETIC
Create a sophisticated editorial poster combining authentic photography above with a reduced, recognizable, hand-drawn memory of the same scene below. The illustration should feel airy, naive without being childish, playful without looking cheap, and minimal without losing the photograph’s identity or emotional meaning. Emphasize expressive linework, selective color, paper texture, asymmetry, and negative space.
【Landscape】[LANDSCAPE]
【Line Structure】[LAYERED / FLOWING / RADIATING / DIRECTIONAL]
【Palette】[COLORS]
【Scale Anchor】[TINY FIGURE / FLAG / BOAT / TENT]
【Aspect Ratio】9:16
Create a refined vertical art poster that transforms the landscape into an abstract **contour-line world**.
Build the terrain primarily from long, smooth, continuous lines that follow its volume, direction, elevation, and movement.
The lines should become the landscape itself, not simply decorate its surface.
Use one clear structural system and strong line-density variation, with dense lines around major forms and more breathing room in calmer areas.
Use 2–5 related colors and let the colors flow naturally along the contour structure.
Keep the landscape monumental and use only one tiny scale anchor.
Add minimal editorial typography:
[TITLE]
[SUBTITLE]
[SHORT POETIC LINE]
High-end exhibition-poster aesthetic, abstract Eastern landscape feeling, strong thumbnail readability, large graphic forms, controlled negative space, and highly visible contour-line structure.
