Two-dimensional alternative character illustration of [CHARACTER], occupying approximately seventy-five percent of the frame in [POSE], with [HAIR] and [EXPRESSION]. Oversized rounded cranium, a short flattened lower face, a narrow jaw, a long thin neck, slightly oversized ears, huge pale oval eyes with tiny off-center pupils, extremely thick horizontal black eyebrows, heavy black upper eyelids, muted mauve under-eye rings, a tiny broad triangular nose, and a wide asymmetrical grin showing individually drawn irregular rectangular teeth, one clearly missing upper tooth, one chipped tooth and deep black gaps. Dress the character in [CLOTHING], simplified into broad graphic shapes with chunky seams, minimal folds and small hand-drawn accessories. Confident black ink contours using thick outer silhouettes, medium-weight facial lines, thin angular hair strands and only a few short scratch marks around the eyes, hair and clothing seams; use flat opaque color fields, one hard-edged cel-shadow shape per form, sparse pencil hatching, subtle ink wobble, slight color misregistration and restrained worn-paper texture. Controlled [COLORS] palette, keeping every color clearly separated and moderately saturated. Place the character against [BACKGROUND], reduced to large flat shapes, a few loosely drawn environmental details and oversized rough hand-painted lettering reading “[TEXT]”; use an off-center waist-up composition, a slight camera tilt, cropped background typography, loose poster margins and lightly weathered printed edges. 4:5 AR.
2x2 grid, 16:9, create four completely different Chinese public-domain cultural subjects:
select * from oriental_poster_archives
where cultural_subject = '[$subject]'
and aesthetic = 'minimalist Chinese woodblock poster design'
and print_technique = 'two-color screen print and traditional woodblock print on aged xuan paper'
and optical_illusion = 'gestalt figure-ground reversal'
and visual_language = 'Chinese classical book illustration, refined editorial design, museum-quality composition'
and ink_layers = array[
(layer_1_base: 'warm aged xuan paper negative space', color: 'ai_infer_light_paper_color([$subject])'),
(layer_2_foreground: 'flat Chinese landscape, architecture, plants, animals and narrative scenes', color: 'ai_infer_dark_ink_color([$subject])')
]
and masking_logic = (
select iconic_profile_silhouette
from Chinese_cultural_character_archive
where subject = '[$subject]'
format as 'the edge of the landscape and architecture forms a clear human or mythical-creature profile silhouette'
)
and internal_scene_logic = 'the silhouette contains the most iconic locations, objects, animals and story events associated with the subject'
and typography = 'small vertical Chinese seal-script title panel on the outer edge, elegant English serif title at lower right'
and composition = 'large silhouette occupying 45 to 60 percent of each panel, generous empty paper space, balanced asymmetry'
and forbidden_elements = 'no gradients, no 3D, no photorealism, no floating face, no collage, no modern objects, no neon colors, no random text, no malformed Chinese characters';
[$subject] = Journey to the West, Dream of the Red Chamber, Romance of the Three Kingdoms, Water Margin
一幅展开的中国古代卷轴,平放在桌面,从卷轴中显现出一个主题是【清明上河图】的精致迷你 3D 世界,立体世界完美的反映了主题的内容,巧妙地从铺满中文繁体毛笔字的纸面上自然浮现成迷你 3D 世界,散发着温暖柔和的光芒。优雅的水墨笔触渐渐融合成 3D 世界的景色,营造出如诗如梦的景象。整体为东亚奇幻风格,细节丰富,充满魔幻现实主义气息,呈现出古籍插画般华美典雅的质感。
a 2D cartoon-style sitcker girl walking on a realistically photographed Chinese city street with rain, the trees is shaking heavily, the background is realistically photography, real photo city background, constract for cartoon and real photo
Minimal hand-drawn illustration, off-white paper background, dark gray sketch lines, muted umbrella yellow as the only accent color, lots of negative space, Notion-like doodle aesthetic, faceless round-headed human figure, clean editorial composition, conceptual rather than literal, simple background, no realism, no 3D, no painterly texture, no high saturation, no complex scene, no photographic detail. Add one short Chinese quote in a natural handwritten style near the bottom. The overall mood is restrained, lucid, slightly ironic, and emotionally calm. Keep the whole series visually consistent. Use Chinese wherever possible for any visible language or textual content, unless a proper noun, technical term, or special usage is better kept in its original form.