東洋の神仏を描いた工筆重彩の聖像画
【可替换内容】 神明身份：【钟馗 / 雷震子 / 哪吒 / 王灵官 / 其他神祇】 核心法器：【宝剑 / 风雷棍 / 火尖枪 / 金鞭等】 神兽 / 异相：【群鬼 / 双翼 / 风火轮 / 三目法相 / 火轮等】 主色调：【石青旧金 / 朱砂墨青 / 乌金赭红等】 构图方式：【斜向追击 / 双翼放射 / 回旋纵跃 / 正面镇压】 整体气质：【神圣 / 威猛 / 怪异 / 冷峻 / 镇煞 / 爆发】 画幅比例：【9:16】 生成一张东方神明工笔圣像插画，以【神明身份】为核心主体，结合【核心法器】与【神兽 / 异相】建立完整构图。法器、羽翼、群鬼、飘带、云气或法相不能只是装饰，而要共同形成清晰的斜线、圆形、S 型、放射或正面镇压结构，让画面具有明确的“势”。 整体融合中国传统神像画、工笔重彩、白描线刻与古籍圣像图卷气质。人物形象庄严、有神性和压迫感，不做现代偶像脸，不做游戏 CG 角色感。服饰采用传统神袍、甲胄、冠饰体系，加入完整连续的云纹、雷纹、鳞纹、兽面纹、回纹与卷草纹。 重点保持高连续性的工笔线描：人物头发、胡须、神兽毛发和羽毛使用顺着自然方向延伸的柔顺长线；云气、衣袂、飘带使用完整连续的 S 型、C 型曲线；甲胄、头冠和服饰纹样必须结构完整、连续闭合。减少微碎纹理，不使用随机短线、密集断点、锯齿毛发或噪声式刻纹。 色彩采用均匀、饱满、连续的传统矿物重彩，以【主色调】为核心，搭配石青、石绿、墨青、旧金、铜金、朱砂、赭红、象牙白等颜色。低饱和但保持充分色彩浓度，颜色沿结构自然平滑变化，不要斑驳、褪色、污渍、颗粒或人工做旧。 背景保持干净温润的暖象牙色宣纸，大面积留白，只加入少量连续线描云气、纵向题跋与朱印。主体信息密度高，背景信息密度低。 整体呈现细腻、流畅、完整、专业的纸本工笔重彩质感。
[Replaceable Elements] Deity Identity: [Zhong Kui / Leizhenzi / Nezha / Wang Lingguan / Other deities] Core Artifact: [Sword / Wind-Thunder Staff / Fire-Tipped Spear / Golden Whip, etc.] Mythical Beast / Manifestation: [Ghost throng / Wings / Wind Fire Wheels / Three-eyed visage / Fire wheels, etc.] Main Color Scheme: [Mineral blue & aged gold / Cinnabar & ink-blue / Black-gold & ochre-red, etc.] Composition Style: [Diagonal pursuit / Radial wing spread / Spiraling leap / Frontal suppression] Overall Aura: [Sacred / Mighty / Bizarre / Stern / Demon-quelling / Explosive] Aspect Ratio: [9:16] Generate an Eastern deity fine-brush sacred icon illustration, featuring [Deity Identity] as the core subject, integrating [Core Artifact] and [Mythical Beast / Manifestation] to establish a cohesive composition. The artifacts, wings, ghosts, ribbons, cloud mist, or sacred visages must not merely serve as ornament, but form clear diagonal, circular, S-curve, radiating, or frontal suppression structures, lending a definite dynamic momentum to the piece. Synthesize the aesthetic of traditional Chinese religious painting, heavy-color Gongbi, fine line drawing, and ancient sacred scroll manuals. The figure must appear dignified, divine, and imposing, avoiding modern idol faces or game CG looks. Garments adhere to traditional divine robes, armor, and headwear systems, featuring complete, unbroken cloud, thunder, scale, beast-mask, meander, and scrolling foliage patterns. Emphasize unbroken, continuous fine-brush line work: smooth long lines following natural contours for hair, beard, beast fur, and feathers; continuous S and C curves for clouds, sleeves, and sashes; armor plates, coronets, and textile patterns must be structurally coherent and closed. Minimize broken micro-textures; avoid random short strokes, dense stippling, jagged hair strands, or noisy etched marks. Use smooth, rich, and continuous traditional mineral heavy color, anchored around [Main Color Scheme], complemented by azurite blue, malachite green, ink blue, aged gold, bronze gold, cinnabar, ochre red, and ivory white. Low saturation with ample color density, shifting smoothly along structural planes without mottled stains, fading, blotches, grain, or artificial distressing. Maintain a clean, warm ivory Xuan paper background with generous negative space, accented only by sparse continuous line-drawn cloud patterns, vertical inscriptions, and vermilion seals. High information density on the main subject, low density in the background. Overall achieving an exquisite, fluid, complete, and professional finish of authentic heavy-color Gongbi on paper.
Negative prompt
断线、碎线、微碎纹理、毛躁发丝、破碎云纹、斑驳设色、褪色做旧、现代霓虹、3D CG、满屏特效、复杂背景、现代海报式大标题。
提示词出处：@Larus Canus (@MrLarus) 的原帖评论 ↗
| モデル | GPT Image 2 |
|---|---|
| 比率 | 9:16 |
| スタイル | 古风国潮 |
| 作者 | Larus Canus (@MrLarus) |
| 元投稿 | X の原文を見る |
中国伝統の工筆重彩と道釈聖像画の様式で描かれた東洋の神仏イラスト。繊細で流麗な白描の線画と、温かみのある優雅な岩絵具の重彩質感を備え、神話題材の創作、キャラクター立ち絵、国風コンセプトアートの参考資料に適しています。
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